Drop in your Premiere XML.
Every camera, every clip, your master audio — even nested sequences. BACKROOM reads the whole night in one go.
- FCP7 XML from Premiere Pro
- Nested master audio supported
- Missing media relinked automatically
Every camera, locked to the mix.
Clips that were stopped, restarted or drifted are matched to your master audio — down to the millisecond — and checked against the camera clocks.
- Sample-accurate audio matching
- Clock-guided review for the hard ones
- Drift-checked over hours of footage
Cuts that follow the music.
BACKROOM listens to the set and directs like a camera operator would: wides on the build, the DJ on the breakdown, close-ups on the hit. Never a dead angle.
- Camera roles and shares you control
- Calm, Club, Festival and Hard styles
- Cuts land on the beat
It hears the drop before you do.
Every drop is found and marked on the timeline, with punch-in zooms timed to the moment the bass comes back.
- Drop markers you can jump to
- Beat-timed punch-in zooms
- Optional crowd bed for the energy
Fix it once. Every cut follows.
Each camera lives in its own nest. Reframe, rotate or grade a camera once and every cut from it updates — no hunting through hundreds of clips.
- One nest per camera
- Framing: match, fill or fit
- A synced, undirected timeline for review
Back to Premiere, finished.
Open the XML in Premiere Pro and you're looking at an edit — synced, directed, marked and organised. Spend your time on the creative part.
- Clean, labelled tracks
- Head room before the set starts
- Your sequence format and name
