BACKROOM syncs every camera to your master audio, directs the cuts to the music, zooms on the drops and hands Premiere Pro a clean, editable timeline.
From a night of footage to a cut DJ set. Four cameras, three hours, one mix — in minutes.
Every camera locked to the master mix — millisecond-accurate, even across clips that were stopped and restarted.
Cuts that follow the music: wides on the build, the DJ on the breakdown, close-ups on the hit. Never a dead angle.
Every drop found and marked, with punch-in zooms timed to the moment the bass comes back.
One nest per camera. Fix framing or rotation once — every cut from that camera follows.
Open the XML and you're looking at an edit — synced, directed, marked and organised. Spend your night on the creative part.
Everything runs locally. Works offline for a week between check-ins.
Every account starts with 3 days freeYour 3 days start the first time you open BACKROOM on your Mac. No card needed. Buy here or inside the app.
Prices in USD. Tax is added at checkout where it applies. 14-day refunds, no questions asked.
Payments are handled by Paddle, our reseller and Merchant of Record. One Mac per account — move it to a new Mac any time.
macOS app for Apple Silicon. Works with Adobe Premiere Pro. We're finishing the signed, notarised release — leave your email and the download lands in your inbox the day it opens.
macOS app for Apple Silicon · works with Adobe Premiere Pro · 3 days free, no card.
Adobe Premiere Pro. Export your project as Final Cut Pro XML (File › Export › Final Cut Pro XML), open it in BACKROOM, then import the XML it gives back.
No. All the analysis runs on your Mac. BACKROOM only talks to our server to check your account.
As many as you shot. Each camera gets its own colour, role and nest — most sets use 2 to 8.
That's the point. You get an ordinary Premiere timeline; cameras live in nests, so a framing or rotation fix applies to every cut at once.
One Mac at a time per account. Moving takes one click inside the app.
Not yet — macOS only for now.